Scenic space

It is in order to attack the spectator's sensibility on all sides that we advocate a revolving spectacle which, instead of making the stage and auditorium two closed worlds, spreads its visual and sonorous outbursts over the entire mass of the spectators.
Antonin Artaud, Theatre of cruelty

We believe that experimental theatre must achieve a real research on scenic space. Scenic space couldn't be considered merely a place restricted to the actors and detached from the audience, but a metamorphic and mightily immersive place.
We produce and house working processes that rethink and devise anew the enchanting space of theatre.

Experimental theatre is all that theatre pursuing:

- the autonomy of scenic language from a written play;
- the redefinition of the scenic space;
- the reformulation of the role and the gaze of the spectator;
- an original pedagogy of the actor;
- a link that connects the actors to the project of the company;
- a process and working times that permits to practice a real research.