the spectator

The spectator does not hold himself aloof at a distance of aesthetic consciousness enjoying the art of representation, but in the communion of being present
Hans-Georg Gadamer, Truth and Method

We believe that experimental theatre must lead to the reformulation of the spectator's role and gaze. Instead of a one-dimensional vision, created for the featureless mass of the audience, experimental theatre fosters the perception of each participating spectator, taking account of the diversity and multiplicity of their points of view.

Experimental theatre is all that theatre pursuing:

- the autonomy of scenic language from a written play;
- the redefinition of the scenic space;
- the reformulation of the role and the gaze of the spectator;
- an original pedagogy of the actor;
- a link that connects the actors to the project of the company;
- a process and working times that permits to practice a real research.